{"id":6321,"date":"2026-10-02T10:08:50","date_gmt":"2026-10-02T10:08:50","guid":{"rendered":"https:\/\/pianopiano-studio.com\/?p=6321"},"modified":"2026-10-02T10:12:21","modified_gmt":"2026-10-02T10:12:21","slug":"fer-una-bona-casa","status":"publish","type":"post","link":"https:\/\/pianopiano-studio.com\/val\/relats\/fer-una-bona-casa\/","title":{"rendered":"Fer una bona casa"},"content":{"rendered":"

La major part dels projectes que fem a Piano Piano s\u00f3n habitatges privats de diferent tipus: reformes, rehabilitacions o construccions d\u2019obra nova en les quals, de vegades, el promotor no \u00e9s l\u2019usuari final, per\u00f2 s\u00ed que ho \u00e9s en la majoria dels casos. I en eixe cas, a m\u00e9s d\u2019un esfor\u00e7 i una planificaci\u00f3 econ\u00f2mica considerables, tamb\u00e9 hi ha una il\u00b7lusi\u00f3 per tindre un projecte propi. Poder mantindre la il\u00b7lusi\u00f3 inicial de qui confia en nosaltres al llarg del proc\u00e9s \u00e9s una cosa que tenim molt interioritzada a l\u2019estudi i que fa que sentim una gran responsabilitat.<\/span><\/p>\n

Busques un estudi d\u2019arquitectura per a fer ta casa?<\/b><\/h2>\n

Si has arribat fins ac\u00ed perqu\u00e8 est\u00e0s buscant un estudi d\u2019arquitectura que puga donar forma a la casa dels teus somnis, et convidem a continuar llegint.<\/span><\/p>\n

Ja fa un temps que reflexionem sobre la necessitat d\u2019explicar el nostre treball com a estudi d\u2019arquitectes, de poder fer veure per qu\u00e8 som necess\u00e0ries en cas que el teu objectiu siga tindre una bona casa. Potser en altres temps no era necessari perqu\u00e8 estava ben clar, per a b\u00e9 o per a mal, qu\u00e8 feia un Arquitecte (s\u00ed, amb maj\u00fascula i en mascul\u00ed), i existia un cert respecte consensuat.<\/span><\/p>\n

Fer arquitectura en un moment estrany<\/b><\/h2>\n

Per\u00f2 actualment ens trobem en un moment estrany, en qu\u00e8 la compet\u00e8ncia s\u2019ha multiplicat, sovint des de la precaritzaci\u00f3 o l\u2019intrusisme; les xarxes socials acceleren i volatilitzen les tend\u00e8ncies; i un estudi amb vocaci\u00f3 pel detall i artesanal com el nostre pot arribar a percebre\u2019s com una cosa sup\u00e8rflua o innecess\u00e0ria. Entenent ac\u00ed el detall no com un afegit, sin\u00f3 com una manera d\u2019indagar en les profunditats d\u2019un projecte.<\/span><\/p>\n

D\u2019altra banda, els obstacles creixen per factors que ens s\u00f3n aliens (inestabilitat econ\u00f2mica, preus a l\u2019al\u00e7a que, en el millor dels casos, s\u2019estabilitzen per\u00f2 no baixen), que fan que la il\u00b7lusi\u00f3 vaja quedant soterrada per costos que s\u00f3n imprevisibles i per l\u2019esfor\u00e7 dedicat a trobar empreses capaces d\u2019executar determinats projectes i adaptar-se als terminis desitjats. D\u2019altra banda, la burocr\u00e0cia alenteix qualsevol proc\u00e9s i la lentitud en la concessi\u00f3 de llic\u00e8ncies fa moltes vegades inviable la possibilitat de construir.<\/span><\/p>\n

Fer una casa amb IA<\/b><\/h2>\n

Per a m\u00e9s inri, no podem no voler veure que la Intel\u00b7lig\u00e8ncia Artificial a escala d\u2019usuari ha democratitzat la producci\u00f3 d\u2019imatges i idees fins al punt que resulta cada vegada m\u00e9s dif\u00edcil distingir el coneixement de la mera aparen\u00e7a o proposar solucions diferents de les d\u2019una imatge preconcebuda, cosa que fa que, de vegades, perdem el control davant d\u2019un client que arriba amb imatges processades per IA de les quals ja es veu incapa\u00e7 d\u2019eixir. I assumim que \u00e9s dif\u00edcil competir amb una cosa tan senzilla i tan complaent.<\/span><\/p>\n

Podria semblar que la pres\u00e8ncia d\u2019un estudi d\u2019arquitectes comporte la necessitat de m\u00e9s burocr\u00e0cia i tamb\u00e9 la necessitat de tractar amb una empresa constructora. \u00abUn complet fastig, quan hi ha qui ofereix un 2×1\u00bb, podria pensar m\u00e9s d\u2019un.<\/span><\/p>\n

O fins i tot alg\u00fa podria fer-se la pregunta: per qu\u00e8 comptar amb vosaltres si puc fer el meu projecte amb la IA (ja hi haur\u00e0 alg\u00fa que despr\u00e9s me\u2019l firme) o anar-me\u2019n amb qui m\u2019ho oferisca m\u00e9s r\u00e0pid, m\u00e9s barat i m\u00e9s vist\u00f3s? Ai, amiga, adona-te\u2019n\u2026<\/span><\/p>\n

Una arquitectura que no haja de demostrar que \u00e9s bona<\/b><\/h2>\n

Assumint tot aix\u00f2, com podem fer una arquitectura que no necessite demostrar que \u00e9s bona i necess\u00e0ria en un context que sembla exigir-nos precisament demostrar-ho tot el temps?<\/span><\/p>\n

Paradoxalment, l\u2019intrusisme, la precaritzaci\u00f3 i el fet que una persona profana es valga d\u2019eines que li fan creure que pot donar forma a un projecte d\u2019arquitectura sense coneixements no redueixen la necessitat de bona arquitectura sin\u00f3 que, a la nostra manera de veure, la fan m\u00e9s evident, ja que \u00e9s m\u00e9s f\u00e0cil, si no hi ha els ulls ben oberts, que el producte resultant siga un \u00abgat per llebre\u00bb. Alejandro de la Sota, arquitecte de mitjan segle XX, li donava la volta al refrany i defensava precisament el contrari: \u00abdonar llebre per gat\u00bb. La idea era meravellosa perqu\u00e8 condensava tota una \u00e8tica del projecte: oferir m\u00e9s del que aparentment es dona.<\/span><\/p>\n

Aix\u00ed que, en este moment d\u2019incertesa, a Piano Piano ens aferrem a esta idea precisament per diferenciar-nos dels qui competeixen d\u2019una manera basta o generalista per cridar l\u2019atenci\u00f3, depenen totalment de tend\u00e8ncies banals o intenten demostrar el seu \u00abalt valor\u00bb de la m\u00e0 d\u2019esl\u00f2gans comercials per\u00f2 superflus en el seu contingut. Perqu\u00e8, si l\u2019arquitectura \u00e9s bona, es revelar\u00e0 en l\u2019\u00fas i en el temps, alhora que respondr\u00e0 a un lloc, als qui l\u2019habiten i a les possibilitats reals de construir-la.<\/span><\/p>\n

I sabem que tot aix\u00f2 \u00e9s dif\u00edcil en un context de tanta compet\u00e8ncia, molt sovint deslleial, en qu\u00e8 fer-se visible sembla exigir recolzar-se en m\u00faltiples imatges o en discursos grandiloq\u00fcents que, al nostre parer, resulten buits quan serveixen \u00fanicament per justificar el valor d\u2019una arquitectura. Una arquitectura que, quan \u00e9s dolenta, paradoxalment sol presentar-se com a r\u00e0pida i f\u00e0cil, sense els aparents obstacles aliens al mateix projecte que enumer\u00e0vem uns par\u00e0grafs m\u00e9s arrere.<\/span><\/p>\n

Aleshores, per a qu\u00e8 estem nosaltres?<\/b><\/h2>\n

En el nostre imaginari, donar forma a la casa d\u2019alg\u00fa suposa endinsar-nos en vides alienes, tafanejar fins i tot en la seua privacitat, pensar en rutines dom\u00e8stiques amb dedicaci\u00f3, estima i proximitat. Esta manera de procedir dista molt de replicar una soluci\u00f3 que ha funcionat, o que s\u2019assumeix que funciona, en un altre context, per a altres persones i en un altre lloc. I no \u00e9s per a menys, no? Estem intentant millorar la vida de persones amb noms i cognoms!<\/span><\/p>\n

I \u00e9s per aix\u00f2 que, m\u00e9s enll\u00e0 d\u2019un proc\u00e9s farrag\u00f3s i no exempt de dificultats, que en certa manera assumim que ho \u00e9s, hauria de continuar sent il\u00b7lusionant per a qui ha decidit dur-lo a terme. I este \u00e9s l\u2019objectiu que perseguim a Piano Piano. En el treball d\u2019estudi intentem que els qui dipositen la seua confian\u00e7a en nosaltres senten que \u00e9s aix\u00ed, que es pot mantindre una il\u00b7lusi\u00f3 malgrat els inevitables entrebancs del cam\u00ed. Intentem fer equip i ser pedag\u00f2giques. I aix\u00f2 tamb\u00e9 implica contar les dificultats, ser realistes o allargar els processos si el projecte ho exigeix.<\/span><\/p>\n

Treballar amb rigor per a nosaltres t\u00e9 prou a veure amb aix\u00f2, amb saber on estan les dificultats i no amagar-les, per\u00f2 tampoc deixar que acaben ocupant-ho tot.<\/span><\/p>\n

I no es tracta de renegar del que ve, faltaria m\u00e9s. Utilitzarem noves eines, canviar\u00e0 la nostra manera de treballar i ens adaptarem als nous temps, per\u00f2 sense que pel cam\u00ed se\u2019ns oblide per qu\u00e8 fem les coses d\u2019una determinada manera i per a qui les estem fent.<\/span><\/p>\n

 <\/p>\n

* La imatge pertany a la miniatura del mes de gener del manuscrit Les molt riques hores del duc de Berry, dels germans Herman, Paul i Johan Limbourg. La imatge ens transmet abund\u00e0ncia, cerim\u00f2nia, acumulaci\u00f3, luxe, representaci\u00f3 del poder… un exc\u00e9s de tot, una necessitat de demostrar valor.\u00a0<\/span><\/i><\/p>\n","protected":false},"excerpt":{"rendered":"

La major part dels projectes que fem a Piano Piano s\u00f3n habitatges privats de diferent tipus: reformes, rehabilitacions o construccions … Continued<\/a><\/p>\n","protected":false},"author":1,"featured_media":6319,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-6321","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-relats"],"acf":[],"yoast_head":"\nFer una bona casa - Pianopiano<\/title>\n<meta name=\"description\" content=\"Per qu\u00e8 comptar amb un estudi d\u2019arquitectura per a fer ta casa? 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